I'M MOVING! AND SELLING MY LIFE!

It's time to call The Lucas Bros, because I'M MOVING! And what's the number one most stressful thing that goes along with moving? Survey says……CRYING! Wait, ok, what's the number TWO most stressful thing that goes along with moving? That's right: CLEANING! Cleaning under beds. Cleaning out closets. Cleaning out whatever is underneath the molded zebra blanket that's still covering the shopping cart in the backyard for some reason. Wait…is that blanket…also…moving? Ha, what irony! 

Anyway, amongst my extreme-hoarder-style cleaning I came across literal haystacks worth of rare art prints, personal samples of products that I've made, zines, first-print books, toys, prototypes that NEVER got made, and other random morsels that have collected microscopic dust-creatures for a while. So I dusted them off, hugged each one of them, said thank you to them for allowing me to make them, and then figured that it was about time that they all went and visited other peoples' homes for a while! That's you! You're "other people"! 

So I'm having a MOVING SALE! All of these items, plus more that I'm finding throughout the week, will be on sale at ZEROFRIENDS SF (our San Francisco retail store) THIS SATURDAY! 

Here's the full details:

Saturday, Feb 7th from 11AM - 6PM

At ZEROFRIENDS SF

419 Haight St (Lower Haight around the corner from Upper Playground)

San Francisco, CA

415-872-9109

*Sale will be IN STORE ONLY. First come first served! Nothing can be held over the phone. Nothing will be put online (although there MAY be a couple of silent auctions that anyone can participate in so stay tuned). You have to come to the store! It will be fun! My inner gypsy will be frolicking as I desperately try to raise some money to help with my move! 

Make sure you follow my instagram @alexpardee and the store's instagram @zerofriendssf to see some more individual items that will be up for sale on Saturday! 

See you SATURDAY! Meanwhile, watch this trailer for one of my favorite movies because THIS IS EXACTLY WHATS HAPPENING IN MY LIFE RIGHT NOW.

TOURING THROUGH "THE MARROW"

JOIN ADAM GREEN AND MYSELF ON A JOURNEY THROUGH "THE MARROW" AND CONSIDER YOURSELF TOUR'TALLY AWESOME!!!!

Starting on Feb 12, 2015 in the San Francisco Bay Area (technically Berkeley) at Shattuck Landmark Cinema, and ending on Feb 19 in Los Angeles at the Landmark Regent Theater, my 5-year-old-conjoined monster-hunting brother Adam Green and I will be adventuring across the US to 5 cities in one week showing and sharing our new feature film "DIGGING UP THE MARROW" before it gets officially released on February 20th!

These “Touring Through The Marrow” events will include a screening of the film, a pop-up art exhibit of my original artwork that inspired the film alongside never-before-seen concept art and photos from the film’s production, an audience Q&A with Adam and myself, one of the actual “monsters” from the movie “in person”, plus artwork, books, and other exclusive tour merchandise for sale.

Below you will find the specific dates and theaters that we will be stopping in. Please note that the "San Francisco Bay Area" screening is technically now in Berkeley:)

Tickets for the tour will go on sale SOON through each cinema directly.  There are two options for ticket prices.  A REGULAR admission ticket to the event is $15, however if you’re hoping to secure an exclusive limited edition art print from me, we’re also offering a $50 "VIP ticket.”  A VIP ticket is all about the print.  By purchasing a "VIP" ticket you are guaranteed one of the limited DIGGING UP THE MARROW art prints created by me and available on this 2015 tour only.  (Pictured here.) 

Each 16" X 20" giclee print is produced by Zerofriends using archival inks on velvet cotton rag paper.  VIP ticket holders just need to present their ticket at the merchandise booth after the film to pick up this print.  For non-VIP holders, prints will be priced at $50 in person but only available while supplies last at each event (alongside other tour merchandise). So by buying a $50 VIP ticket you can look at it like you are buying the print and getting your admission for free... or you can look at like you are saving $15 off of the print... whichever way you want "dig" it.  But don’t fear, not everyone in your party needs to have the same priced ticket to sit together or to meet us. We will do the best we can to high-five everyone!  Every screening is first come first serve open seating and the guys will be happy to speak with and sign for everyone.  The VIP ticket is only for the print (and a tiny little extra "sample" of the marrow, but more on that later…)

As soon as tickets go on sale we will be the first to tell you! Stay tuned, as I think the Marrow trailer drops soon too...

Thurs 2/12 – Landmark Shattuck (Berkeley, CA) (This is the only San Francisco Bay Area Screening)

2230 Shattuck Avenue, Berkeley, CA 94704

Mon 2/16 – Landmark Kendall (Boston, MA) – Presented by Rock N Shock 

One Kendall Square, 355 Binney Street, Cambridge, MA 02139

Tues 2/17 – Landmark Sunshine (NYC, NY)

143 East Houston Street, New York, NY 10002

Wed 2/18 – Alamo South Lamar (Austin, TX) - Presented by Ain’t It Cool / Harry Knowles

1120 South Lamar Boulevard, Austin, TX 78704

Thurs 2/19 – Landmark Regent (Westwood, CA) **PREMIERE**

1045 Broxton Avenue, Los Angeles, CA 90024

THUNDER BABIES: 2015

BEHOLD! 2015 IS THE YEAR OF THE THUNDER BABIES!

What better way to start off a new year than sharing my BABIES!?

So I teamed up with Mike Taylor and Pretend For Real studios, who made this insanely accurate origin story of The Thunder Babies just in time to ring in 2015: The Year Of THUNDER! More baby-madness coming soon! Want to see more Thunder Babies fun? Or rather, more Funder Babies?! Here's all of the past info and art collected in one little place on the web of thunder!

CYBER MONDAY EXCLUSIVESSSSSSS

CYBER MONDAY IS HERE! And in the future, cyber-days are 25 hours long, so to honor the future, we have a special 25-hour-only surprise!

From now until when your current earth-clock reads 1:00AM Pacific Standard Time on DEC 2 (that's 25 hours from NOW), you can purchase Alex Pardee's "CONSOLE WARRIORS" 12" x 12" Giclee Prints.

These prints have never before been offered for sale until now, and they will disappear in 25 hours.

And the best part? They are only $25 each.

We still currently have our BROWN THURSDAY promotion going on as well, which you can get FREE PRINTS by spending $30, $60 or $150!

Happy Cyber Monday! 

"CONSOLE WARRIOR: FOUR"

By Alex Pardee

Limited Timed Release Giclee Print

12" x 12"

Signed By Alex Pardee

"CONSOLE WARRIOR: ONE"

By Alex Pardee

Limited Timed Release Giclee Print

12" x 12"

Signed By Alex Pardee

BROWN THURSDAY IS COMING...ON A WEDNESDAY!

OUR ANNUAL "BROWN THURSDAY" IS ALMOST HERE AND IT'S SPREADING THROUGH OUR ENTIRE ONLINE STORE LIKE A REALLY NICE FUN & GENEROUS DISEASE!

The most important part of the disease, I mean this announcement, is this:

We are giving away SO MANY FREE PRINTS OUR HEADS MAY EXPLODE! So listen closely to the sound of your voice as you read along with the following information. (Note: It's extra fun if you try to read it in Morgan Freeman's voice).

The Zerofriends Brown Thursday Sale officially starts the night of Wednesday, Nov 26 at 8PM Pacific Standard Time and goes through Dec 7th or until supplies last.

Spend $30 or more (before shipping) on any combination of items on ZEROFRIENDS.COM and receive your choice of ONE of these two signed, numbered limited edition 8"x10" prints from ALEX PARDEE and DAVE CORREIA. 

Choose from the two prints shown here. "OWLEX" By Alex Pardee (Limited edition of 400) or "KRAMPUS" by Dave Correia (Limited Edition of 400).

Please note in the comments section upon checkout which of the two prints you would like (if no print is specified we will send you one of the two at random). Offer good until ALL Prints are gone. Limit ONE per household while supplies last. If your choice of free print is sold out we will automatically ship you the available print.

But that's only a fraction of the good part! 

Spend $60 (before shipping) and get BOTH of these 8"x10" prints for FREE! Limit ONE EACH per household while supplies last. 

No need to add these prints to your shopping cart, we will automatically ship them to every qualifying order.

But OH MY GOD! That's STILL not the best part! 

Spend $150 and get one of these super-limited signed 16"x20" "SLEEPWALKER" print by Alex Pardee (edition of 100). Offer good until ALL Prints are gone. Limit ONE per household while supplies last.

And an even BETTER part of this whole deal is that you don't have to wait until someone let's you in from the cold to fistfight someone to get deals! You can do it from the safety of on-your-butt starting on the night of Nov 26th at 8 PM Pacific!

That's right, an entire day before some of you hoarders line up at Best Buy to get a 3-D TV you'll never watch and a 22 Jump Street Blu Ray for 4 dollars, you can ON-LINE UP at Zerofriends.com and check out, alongside BRAND NEW PRODUCTS, the new (temporary) slashed prices on a few Different Signed Limited Giclee Prints, all of our 8" x 10" prints and 5" x 7" prints are on sale, as well all of our t-shirts!

Sale officially starts at 8 PM PACIFIC STANDARD TIME on Weds night (Nov 26)

Step by step instructions without illustrations:

1. Go to ZEROFRIENDS.COM, where, at the time of the sale, we will be putting up brand new products (you can see previews below before they go on sale0

2. Look around at some of the BRAND NEW PRODUCTS and take a look at some of the sale items (shown below).

3. Take notes. Smile

4. Starting On Brown Thursday (technically Wednesday night, Nov 26 at 8PM PST) Purchase ANY combination of items equalling $30 or more before shipping and receive, along with your order, your choice of ONE of two free 8" x 10" signed & numbered print of Alex Pardee's "Owlex" (limited edition of 400) or Dave Correia's "Krampus" (limited edition of 400)*

Spend $60 or more before shipping and receive BOTH of the free prints!

4.5. Purchase ANY combination of items equalling $150 or more and receive, in addition to the two free 8" x 10"s, a FREE 16" x 20" signed and numbered limited print of Alex Pardee's "SLEEPWALKER", totaling 3 free prints.

5. EAT MORE FOOD (unless food's not your thing)!

*Limit of ONE free print of each print per HOUSEHOLD. While supplies last.

Happy Thanksgiving, and thank you from all of us here at ZEROFRIENDS.

See you invisibly there!

(below are just previews. some old, some new. not everything is available just yet, but even on the products that are, if you want to get a free print you should probably wait or something! Good advice!)

One last note: Items may go on sale previously to 8PM, but the "Free Print" sale officially starts at 8 PM PST

Be sure to FOLLOW US on all social media @zerofriendsart for updates and surprises

 

THUNDER BABIES: 28 Days Later

28 Days ago (a time frame both Sandra Bullock AND zombies are familiar with), I decided to give myself a personal challenge to create a brand new "world" from scratch in 30 days, using unfamiliar techniques, subject matter and spontaneous storytelling to hopefully push myself to learn something and re-invigorate myself because I had been feeling somewhat stagnant creatively. The goal was to create enough of that "world" in 30-days to inspire myself to keep going and continue expanding it beyond these 30 days, whether it be through paintings, writing, scribbles, an art show, a phone game, etc. 

Well, it's a good thing I'm my own Gollum-like boss because I only have 2 days left and I'm not quite to the point where I would call what I've been creating an entire "world", despite staring in the mirror and yelling at myself in an elvish accent on a nightly basis. 

But that's not to say that I haven't been having fun BUILDING a new world. And that's not to say that I didn't meet my goal, because 28 days ago, I had no idea about the legend that tells how Zeus, The God of Thunder, got drunk, mistook a dying planet for his wife, had sex with it and ultimately got that dead planet pregnant. 28 days ago I had no idea that Zeus' godly-sperm could mix with the dead planet's infinite elements and give birth to a never-ending collection of Thunder Babies! I had no idea a planet could even GET pregnant. 28 days ago I had no idea that hundreds of years prior to Zeus's "coming", a race of tiny happy farmers covered the surface of that planet only to be invaded by giant alien chickens, in turn destroying the planet. I had no idea about The Ancients that arrived to use the Thunder Babies' blood for fuel; or what happens when multiple Thunder Babies are genetically combined. I had no idea about the city made of moisture that exists in the clouds. I had never thought about Gus Mountain, King Plenty or the vast but deceivingly gentle forest range called the Elijah Woods. 

But now I do. And that's fun for me. And so is creating an ongoing roster of babies out of imaginary elements, knowing they are infused with the sperm of the God of Thunder. 

There may not be a lot of visual content to go with much of this YET, but I did get a good start on a direction that I can now leisurely expand upon until I get tired of it, which, if "BUNNYWITH" is any indication, may be never.
I'll be continuing to post some of the "Thunder Babies" ideas, concepts, paintings and mythology that I have been creating when I can, alongside whatever else I'm juggling at the time, starting with this first Thunder Baby, forged from pollen, vengeance, and the godly-sperm of Zeus. 

"Bud"
Gouache, ink and digital on paper.

Read the previous Thunder Babies updates here:
THUNDER BABIES: Day 1
THUNDER BABIES: Day 2
THUNDER BABIES: Day 2.5
THUNDER BABIES: Day 3 
THUNDER BABIES: A HISTORY LESSON

THUNDER BABIES: A HISTORY LESSON

Sometimes, like now, I feel completely selfish and fairly uneducated. I never liked real world history in school, and could never seem to remember a lot of it, with the exception of some fun facts like the Abe Lincoln assassination, the invention of silly putty, and how the CEO of the Segway company drove offof a cliff on a Segway.

But FAKE history, on the other hand, I was always fascinated by. Imaginary historic events like the great Battle For the Infinity Gauntlet or the day Marty McFly saved the clocktower from lightning in 1955 are historical times I’ll never forget.

Every fictitious world has some kind of unseen/unheard private history that made that world work in the capacity that we get to enjoy it in. Star Wars, for example, started as one movie with one story, but George Lucas had an idea of events that happened hundreds of years before and after the first movie was even filmed. But even something smaller in scale like Scooby Doo has SOME kind of creative history. I mean, those oddball detention kids had to meet somewhere, and there had to be some kind of insane checkered past reason why they were more afraid of a museum curator than a fucking TALKING DOG and his crackhead homeless owner. Whatever unknown history took place before we stepped into both of these worlds as voyeurs made them palpable enough for us to accept and immerse ourselves in them.

So when creating any kind of world, story, or universe, I create and use fake-history as an art-director of sorts. As little as it may ever come into play within the actual project, if I’m creating another planet or another universe, such as I am trying to with Thunder Babies, I HAVE to make up some history revolving around it. Without history, I have no context to set the current story, and no direction as to what the current world’s “rules” are. Plus, the ability to make up historical events and inhabitants is just kinda cool. It’s like being my own Dungeon Master in a lonely role-playing game.

That being said, the only way I was going to be able to create weird elemental God-babies that were birthed from a dying planet’s core with any kind of confidence was that if I knew a little bit about that planet that birthed them, whether anyone else ever needed to know about it or not.

So that’s what I’ve been doing over the last few days. Maybe I’ll sprinkle some of that history into whatever I end up drawing over the next couple of weeks, or perhaps it will never be necessary or interesting to anyone but me and it was simply an exercise that I needed to do in order to, as I said before, “keep the troops motivated.”

For whatever the reason, I am now motivated and I know a TON of made-up shit about the made-up planet of Oo’tarus, the birthplace of the THUNDER BABIES.

In case it ever comes into play, here's a little glimpse at the history of the planet of Oo'tarus:

Follow the progress here:
THUNDER BABIES: Day 1
THUNDER BABIES: Day 2
THUNDER BABIES: Day 2.5
THUNDER BABIES: Day 3

THUNDER BABIES: DAY 3: Elements Of Surprise

“Although its core was dying before being impregnated by Zeus’ inebriated sperm, the planet Oo’tarus still contained one of the largest varieties of elements in the universe. The number is in the thousands, which, in comparison to Earth’s 115 elements, is incredible.

As Zeus’ millions of sperms bored their way through the planet’s inner layers en route to its core, they mixed with the multiple elements of Oo’tarus, each sperm melding with these different elements before they reached the planetary womb, thus making each embryo a completely unique little baby snowflake, their genetic makeup dictated by what element (or elements) the celestial sperm combined with. This, I mean, is according to legend…”

I spent all day researching, making and re-making a periodic chart of the elements of the dying planet of Oo’tarus. I did this for 3 reasons:

Number 1: This whole project is about challenging myself, as well as directing myself. I want to give myself as much possible ammo and information and mythology as I can in order to guide the art aspect of the world. Without context, there’s no direction, and without direction, there’s total freedom, which, in some cases is good, but because I’ve felt stagnant lately and repetitive with my art, giving myself “total freedom” could just mean that there’s TOO many options and therefore I would get overwhelmed and I might default to designing the same stuff I’ve been creating that’s making me feel stuck.

Number 2: All babies need formula. And in the case of Thunder Babies, I NEEDED a formula. A creation-formula.

Which leads me to Number 3: The documentary “American Movie” is about Mark Borschardt, one of the most passionate filmmakers ever, and his 6-year LONG quest to make a SHORT film. There are a million amazing quotes in it, but one of them revolves around the crew erecting scarecrows onto a set that they aren’t even shooting on. When asked why Mark is having them do that, he assertively says “to keep the troops motivated”. That’s why I made this. I need to stay motivated while I figured things out. I woke up, and was stuck on trying to figure out how to explain what these “Thunder Babies” would look like. More importantly, I was stuck on trying to create a solid direction while at the same time giving myself a blank-enough canvas for me to explore different art techniques and an open-enough subject matter for me to experiment with different visuals. I needed to make a “controlled-but-unlimited-foundation” to build off of. Does that make sense? Or am I an asshole? I guess either way it doesn’t matter at this point. So I came up with a formula, and while I am dwelling on the visual aspects of the Thunder Babies, I made a chart to go along with the formula just “to keep me motivated.”

Here is the formula:

And here is a partial sampling of the periodic table of elements found within the planet of Oo’tarus, from which all of the Thunder Babies will be genetically forged from (in addition to the unarguable power of god-sperm).

Now, on to making babies…

Missed the previous days? Catch up here:

DAY 1

DAY 2

DAY 2.5

THUNDER BABIES: NIGHT 2…THE MORNING AFTER

I knew I wanted to practice making babies.

No, that’s not a cry for attention; just hear me out. One of the things that I hate more than anything is talking baby movies. And even more hellfire is spewed from my voicebox when I’m forced to watch CGI-baby commercials or commercials featuring babies doing adult activities. Looking at those dumb fake CGI baby heads hovering above their dumb bodies doing dumb real activities like e-mailing and drinking coffee has the same unsettling effect on my appetite as it would if those CGI baby heads were Billy Crystal’s current head stuck on the body of my wet dog. It’s disgusting. So, because I like putting myself in stressful,  uncomfortable situations when being creative, I thought, “Hey, self, why not embrace what you hate, and draw talking babies.”

Plus once I thought about it, drawing babies and thinking of babies as serious characters could be really funny. Baby bodies are puffy and silly and odd and innocent and, if needed, creepy.

But the whole baby business is still in progress. So let’s move on to what I decided on for an actual origin of the “Thunder Babies”, which is the name I decided to go with before I challenged myself to build a world around it.

Given that I only have 30 days to do this (I'm friends with the skinny guy from The Running Man and I had a collar made so that my head explodes if I don't finish), I knew I didn’t have a lot of time to figure out what I wanted the direction of Thunder Babies to be, and I knew that whatever decision I made last night would dictate my life for the next 28 days. That being said, I didn’t want to overthink the idea because ultimately it will be a work in progress until day 30, but I also didn’t want to just go full force with the first idea that popped in my head, because I believe that everything should be thought about AT LEAST twice before commitment, otherwise you end up with something like TUSK, Bubble Gum Soda or that upcoming sitcom about VINE celebrities. Not that Thunder Babies is going to be any better than Tusk, but I have to try.

Using the “Thunder Babies” name by itself for inspiration, I went through a few phases:

1. Genetically modified babies existing on an island named “Thunder Island”. OK, fine, but who made them, why were they made, etc.? Even though no children ever really questioned who/what/why the Smurfs existed, Peyo (the artist creator of the Smurfs) knew that shit going into it because it added a backbone to any story he wanted to tell within that world. Backbones are important. OK, so I had to think then, why would there be an island of genetically modified babies on an island?

Maybe there’s a sad planet (called Sadurn!?) who was lonely and so it used its gravity to pull in passing ships in hopes of making friends, but its gravity kept pulling them in too hard and crashing and killing them. Until one person survived, who was a genetic scientist, and in turn offered to “MAKE” friends for this planet in exchange for letting him escape the lonely-gravity-pull of the planet. That COULD HAPPEN! 

That was my first attempt, but I knew that that was reaching, when all I ultimately wanted was a simpler reason to just draw weird babies. So I scratched that, and started over. This morning.

2. I DID like the idea of a living planet. Not “living” in a sense of just being able to sustain life, but more in an “EGO, The Living Planet” way, or, in even simpler terms, like the sun on Teletubbies. I wanted to keep that. Then I started thinking of random ideas that I have had in the past that I never fleshed out, and one of them that I always wanted to do something with (maybe it even HAS been done before) was the idea of finding out that Earth is pregnant and is slowly going into labor, with earthquake’s being contractions, volcanoes being morning sickness, etc. I not only liked the idea of an eventual giant baby monster emerging from the actual core of the earth, but I liked thinking about HOW it got pregnant, and thinking about an even bigger monster having sex with it long before we were alive. So I decided to pull from those ideas, and add the words “Thunder Babies” into the mix and decided that the Thunder Babies would be the result of a planet getting impregnated by Zeus. That makes a lot more sense to me.

So I wrote up a quick history of the birth ofthe Thunder Babies, and just to have a visual introduction to go along with it, I decided I needed to draw a drunk Zeus fucking the dying planet in the middle of space. 

I started scribbling, and I kept picturing a drunk Zeus to just look like DOG the Bounty Hunter, and I quickly realized that I don’t know how to properly have sex with a planet, nor do I know what a classic generic Zeus was supposed to look like, so I started pulling some reference photos which FINALLY gave me a reason to type in “Watermelon sex” into Google. Which, by the way, led me to discover the amazing art of Watermelon carving!!!! SO COOL!

Look how cool!

So after multiple terrible sketches, I settled on moving the leg and that made his position flow a lot better in my opinion. It’s not the best, but at least I have some experience the next time a job calls for an old man fucking a circle. OK, back to work! THUNDER BABIES!!!!!!